Can't
really take this biography stuff seriously, so bear with me.
First
awareness of Spirit in Nature: age 2. As she grew, began to be more
aware of
her
spiritual life and by age fourteen was actively exploring many types of
spirituality, religion and metaphysics. Began teaching herself
astrology as she approached her fifteenth birthday, and never stopped
studying
this most
sacred art. By 1973 she was doing chart-reading for others, and in 1980
she began to teach. In 2004 she began to study Vedic (Hindu) astrology,
finding it broadened and deepened her perspective.
During
her freshman year of college (1972) she was given her first tarot deck
by a
friend (thank you, Nettie! most beautiful and giving Aquarius) and is
still
reading and using the cards for self-understanding
and guidance. In
1976 she met
Sherry (now Sharry) Edwards, and began working with her, exploring a
wide
variety of metaphysical and healing tools, including the aura and
chakra
systems.
In college she first became interested in
massage and
body-centered
therapies. Trading massage strengthened
friendships and
helped de-stress; involvement in an encounter group devoted to
bioenergetics, a, body-centered
psychotherapy helped weather the vicissitudes of relationships, school
and life.
In
spring of 1980 Sherry introduced her to Crow. They were married in
September of
that year. Together they shared their knowledge and explored more
widely: Crow
began to learn tarot, Bekki began to follow the shamanic path
(inevitable
really, given her natural proclivities -- Moon in Taurus in the eighth
house,
Sun in Gemini and Mercury/Jupiter/Venus in Cancer in the ninth trine
Saturn!),
and to learn more about a variety of earth-centered spiritual
practices. That
ninth house Sun, and the Mercury/ Jupiter conjunction meant that
teaching of all
kinds was also inevitable -- second nature to share knowledge whenever
the
opportunity arises.
A
strong connection to plants, fostered by her paternal grandmother
throughout her
childhood, stimulated her to begin gardening in earnest, at Dragon
Waters. That
led in 1994 to beginning serious cultivation of an herb garden, partly
because
of a health crisis that turned her toward herbs for healing her body,
which
study Crow eventually took up as well.
In
1988 she left a mundane job to begin Horsefeathers!, a metaphysical
bookstore
and center, with Crow. Soon they decided to found the Church of
Earth
Healing, which manifested in 1990. Though they had been traveling to
various
events and teaching engagements since the early '80s, in 1997
they took their work on the road,
traveling and teaching. There have been many turning points and
illuminations
along the way, many pilgrimages to sacred places and communing with the
spirits.
Current project: a shamanic ally-based tarot deck.
Continuing to add
healing modalities to her work
throughout the '90s,
she has studied chakra healing with Sharon Laurie of Santa Fe NM;
broadened her practice of shamanism with
a variety of teachers; became certified in massage therapy at Hocking
College in
Nelsonville OH, and
in Structural Therapy (like Rolfing, but better!) with Althea and John
Northage-Orr, founders of the
Chicago
College of Healing Arts.
Earliest
memories of singing: age 2. (A hymn in fact: Onward Christian
Soldiers!) Music
was everywhere growing up, particularly home-grown music, and lots of
the
ethnic kind (Danish folk music from Dad's family and Hungarian from
Mom's,
lots of Appalachian ballads and music of the British Isles.) She sang
duets with
her sister, and taught herself to play guitar around age thirteen. High
school and college years were filled with music, playing old-time music
with friends, going to folk festivals, and listening to and singing
British folk music.
In the early '80's she met Athens folks (bless
you, Patrick
and
Alison!) with an Irish band, The Blarney Pilgrims, and joined
them as
their vocalist, doing a bit of guitar as well, and teaching herself
mandolin and
bouzouki. In 1989 she sold her instruments to buy a harp, but soon set
it aside
to develop her work with the Church. Music continued to be important in
her
shamanic work and as a recreational activity, but she no longer had
time to
play music seriously with others. She did
write
an occasional song and kept up with her other writing. In 2000, a
serendipitous meeting
with a founding member of the Pilgrims renewed her interest.
They
began to play music and she realized it was essential to
her
spiritual path and the health of her soul. She "traded in"
the
old harp for a new one in 2003, and began to play more seriously.
Began
to create art in primary grades; decided to be an artist in high school
and at
sixteen created visionary paintings for friends based on their
astrology
and numerology; took degrees in art (ceramics) and art education in her
twenties; taught herself (and others) various crafts (needlework and
embroidery
in her twenties, beadwork and leatherwork and shamanic tools
in her
thirties); continues to create shamanic art for herself and others. She
currently follows
the dictum "To thine own self BEAD true" ... or is that "BEAD all you
can
BEAD"?
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